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Henri Cartier Bresson was one of the best photographers in the world. Born in France, the operator of photo reportage. In this text, it explains part of their ideology and their work.
The report outlines the elements of a problem, set an event or a impressions. An event is always so rich that one turns as it unfolds around, looking for a solution. It is sometimes found in a few seconds and sometimes takes hours and days, there is no standard solution, no recipes, we must be prepared as in tennis, the elements of the theme that make the spark jump, they are often separated, you do not have the right to unite by force; f Abrica staging trick would . Hence the usefulness of the report, the page will bring together these complementary elements scattered in several photos. Reality offers us such an abundance that count, simplifying but can be cut what is this?. You need to get working, get a discipline, to be aware of what is done. Sometimes one has the feeling of having made the best picture possible, however, still shooting because you can not predict with certainty how the event will unfold. It is necessary, however, avoid triggering unnecessary, avoid fast and mechanically photograph, sketch useless charging and recharging the memory and disturb the clarity of the whole. The photographer can not be a passive spectator can not be really clear if it is not involved in the event. Memory is very important, the memory of every photo taken at a gallop, at the same speed as the event, at work one must be sure you have not left holes, having expressed all, because then it will be too late may not be to retrace the time. ..
... Of all the means of expression, photography is the only one that fixes a precise moment. We play with things that disappear, and when they have disappeared is impossible to revive them. You can not touch the subject, the more you can choose from the images collected for filing the report. The writer has time to reflect before the word is formed, before putting it on paper, can relate different elements with each other. There is a period in which the brain forgets, and is a sort of slop. For us, it disappears, gone forever, hence our anxiety and essential originality of our profession, we can not remake our story once one is already in the hotel, back. Our task is to observe reality with the help of this notebook is the camera, fixing it without handling or during the shot, or in the laboratory using tricks, because that is seen by those who can see. In a photographic one arrives, as the referee to count the blows, as a kind of intruder fatally. have to approach the subject with lead foot, even if it is a still life. You have to go with gloves, but having the eye alert. Without haste, because it hits the water before fishing. No pictures with flash Of course, if only out of respect to the light, even when not. For anyone but the photographer would be intolerably aggressive. This work depends so much on establishing relationships with people that a word can ruin everything, and then the alveoli collapse. There is no system here, except be forgotten and to forget the camera, which is always too loud. Relationships are very different depending on the country and the media. In East a rush or simply impatient photographer is covered with ridicule, not remedy. If ever one is passed, because someone has noticed the camera, then you can not do anything but forget the picture and let the children gently swirl. I dwell in the report. I do interviews, but what is desperately looking for unique photo, which is sufficient unto itself for its rigor (without claiming that making art, psychology, psychoanalysis or sociology), for its intensity, and the topic beyond the simple story.
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